PROJECT

DESCRIPTION

The child's eyes are a camera, curious, moving, and enthusiastic. After stepping into the space, gradually play, each place has a different view, the level of progression, in order to feel the humanistic mood of the indoor landscape.
The child thus dynamically explores and discovers one part after another - climbing on the slightly arched slope, jumping up and touching the branches of the pine trees, running and chasing between the colonnades, hiding behind the rocks. This kind of enlightening scenography gives the space a natural flow of innocence.
The non-linear and heterogeneous expressions, which portray the majestic realm and magnificent rhythm of the landscape, are the natural empowerment of children's vivacity and exploration of nature. The pine rocks and surging waves, which are highly generalized to the natural landscape forms, inspire children to think freely beyond the material forms, and they are thus more willing to create and express their inner world. In this way, the combination of humanity and nature and the balance of commerce and art are achieved.
The ancient Chinese saw the world as having three realms: seeing mountains as mountains, seeing mountains as not mountains, and then seeing mountains as still mountains.
The shape of the space is objective and real. Chinese landscape painting is flat and far, high and deep, while it is inspired and full of motion.
In terms of space color, the design adopts the classic Chinese "Golden Landscape Painting" to establish children's color perception so that children can enrich their beautiful vision in playfulness and gradually form their own logic and organization.
The natural gradient colors such as mud gold, stone green, and stone green are used to recreate, restore and convey the colors of the Golden landscape in the space passages, the fiberglass corridors in the dressing area, and the display façade. The deep garment area corridor columns and ceiling stainless steel treatment, through the gradient of black and white gray and the reflection of the vast landscape, presenting a landscape painting like the appropriate intensity, mellow and gentle far-reaching rhythm.
In the worldview of children, the development of understanding follows the heart, and the design takes the expansiveness and nature of Chinese landscape painting to gradually deepen the children's love for traditional Chinese culture between the real and the mood.
Fengling'er is a revolutionary reinvention of the new offline scene with the rise of the Chinese national trend at the moment.
The design takes the depiction of a thousand miles of rivers and mountains as the background to break through the shackles of the limited interior and recreate the interior landscape in Chinese style, giving children the freedom to explore and discover the various possibilities of creativity.
The traditional shape of the landscape is not bound to the carved shape, but the non-linear extension of the space conveys the momentum and strength of the real mountains and water. The spatial scene is then geometrically enlarged, thus unveiling an alienated, three-dimensional future landscape volume of Chinese style.