The first five sets of houses are all post-built, its shape, structure and choice of materials retaining the simplicity, naturalness and austerity of the region so as to tally with the harmonious co-existence of the local village with nature. The instant visitors push open the door and step into the room, they can sense visually the sharp contrast between the slightly rough, plain materials and the exquisite, elaborate interior collocation. Based on Hui-style notion of “nestled on the mountains comes strength, naturalness and felicity”, the design team incorporated into it the aesthetic concept of “wabi-sabi” originating from constructions featuring Japanese Yamato Culture, namely, harmony, simplicity, tranquility, naturalness and appreciation of beauty in imperfection. The wabi-sabi aesthetics holds that everything in the world has its own cycle of birth, ageing, sickness and death. Only when one thing is imperfect do its form of existence and meaning remain “natural”, “complete” and admirable. In this project, the concept is reflected by the revelation of its rustic yet still-in-vogue aura, rough texture, exquisite details, and the natural landscape created artificially. It is exactly due to its imperfection in each and every facet that it’s complete and beautiful in its own cycle of birth, ageing, sickness and death. In terms of the interior layout, the design team incorporated substantially time-honored local history and traditional culture into it, such as the woven cloths draped over the bed, wooden decorations hanging by the windows, the bamboo crafts adorning the walls, etc. In this way, both contemporary and ancient notions collide with each other within such tiny rooms, the traditional aesthetics integrates with overseas thinking, and the construction situated in the deep mountains displays a special kind of vitality and fashion.