PROJECT

DESCRIPTION

In this project, we use the modern city charm and temperament as the keynote, and integrate the introverted and elegant Heyuan（河源） traditional culture into the modern design language, follow the layout of the Hakka traditional dwellings, and use the Chinese-style Chinese The experience of the courtyard life presents a living philosophy of seclusion.
In this case, the design elements of the surrounding dragon house（围龙屋） are taken as a whole, and all the functional areas are connected in series in an octagonal layout, continuing the traditional Chinese “central axis symmetry” principle, and the entrances and exits of the east, west, and north are corresponding to each other. Panoramic floor-to-ceiling glass on both sides for interactive interior and exterior features. In order to echo the shape of the building, the ceiling and the ground are as integrated as possible. The octagonal elements are used to reflect the surrounding feeling of the dragon house, and the design elements of mountains, water, clouds and lotuses are carefully injected into the space. Its unique "shape", "God" and "beauty" condense the imagination of oriental aesthetics, and immersive in the experience of the vast oriental culture and charm.
The lobby atrium is 9 meters high, paying attention to the sense of sequence and ritual of the space. It is the main theme of the auspicious glory of the Fulu（福禄）. The octagonal elements are subtly integrated into the ceiling, the ground and the wall. The smallpox borrows the traditional Chinese architecture to evolve the shape of the beam structure and the algae well pattern. The carved and traditional Chinese pattern pattern is applied to it, which corresponds to the column structure of the four arches and the octagonal ground.
The designer used the borrowing scene and the swaying method to open up the six-meter-closed copper door to the landscape of the courtyard and the picturesque beauty.
The reception area is backed by huge lacquered wood carvings, which combines the elements of mountains and clouds into one. Symmetrical warm lights on both sides give a quiet and warm temperament. The reception desk is complemented by crystal glass bricks, which are combined with bronzed stainless steel. The modern and traditional atmosphere blends here.
The sand table is located on the east side of the lobby. In order to create a sense of space and space, the ceiling and the ground are all designed with a symmetrical octagonal design, reflecting the classic elements of the Hakka traditional house. The ceiling uses a large area of white design（留白）, decorated with texture paint to increase the spatial layering, crystal lotus leaf chandeliers are outlined in it, giving the space a simple and pure spirituality, concise the contemporary oriental temperament.
The negotiation area is characterized by a spacious pattern. The transparent floor-to-ceiling glass is used as a medium for indoor and outdoor. The three negotiation areas are separated by a symmetrical hollow decorative cabinet but connected. A round of decorative paintings hangs and hangs. It can be seen that the clouds and mountains are undulating, showing a delicate texture that fits the beauty of the space.
The corridor space constructs the transition and visual intersection of the various functional areas, and connects the aesthetic order of indoor and outdoor. In addition, the use of ink painting lotus flower and bamboo curtain accessories constantly seeks natural taste and modern style.
The color inside the partial hall is relegated to nature, and only the wood and stone are used to create the tone. The lines on the four walls convey the order of the space. The metallic green and silver droplets are clustered together, crystal clear under the refraction of light, and become the dynamic of the entire partial hall. Two chairs, a wooden long bench, a few square lights, sit still here, go to the space, find the modern oriental charm in the quiet world.